Four Paintings by Harald Slott-Møller

Selected paintings by the Danish painter Harald Slott-Møller

Danish Landscape

Primavera, Young Girl

Girls in a Green Rowing Boat on a Summer Day

Primavera

More at:

http://en.wikipedia.org/wiki/Harald_Slott-M%C3%B8ller

Three Experimental Films

The Red Book by Janie Geiser
*Scene *

9 Variations on a Dance Theme by Hilary Harris


Tuning the Sleeping Machine by David Sherman

The Art of Karin Mamma Andersson and Jockum Nordström

Mamma Andersson (born 1962) is a contemporary artist based in Stockholm. She is married to Swedish contemporary artist Jockum Nordström.

Jockum Nordström (born 1963) is a Swedish artist, best known for his vivid collages, but also for his drawings, paintings and work as an illustrator.

Also see:

http://en.wikipedia.org/wiki/Mamma_Andersson

http://en.wikipedia.org/wiki/Jockum_Nordstr%C3%B6m

http://pinterest.com/richardfahey/jockum-nordstrom-mamma-andersson/

Naomi Klein - Selected Quotes

Naomi Klein

“The American Society of Civil Engineers said in 2007 that the U.S. had fallen so far behind in maintaining its public infrastructure -- roads, bridges, schools, dams -- that it would take more than a trillion and half dollars over five years to bring it back up to standard. Instead, these types of expenditures are being cut back. At the same time, public infrastructure around the world is facing unprecedented stress, with hurricanes, cyclones, floods and forest fires all increasing in frequency and intensity. It's easy to imagine a future in which growing numbers of cities have their frail and long-neglected infrastructures knocked out by disasters and then are left to rot, their core services never repaired or rehabilitated. The well-off, meanwhile, will withdraw into gated communities, their needs met by privatized providers. ”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism

“Democracy is not just the right to vote, it is the right to live in dignity.”

― Naomi Klein

“People without memory are putty.”
― Naomi Klein

“Either greed belongs in a war zone, or it doesn't. You can't unleash it in the name of sparking an economic boom and then be shocked when Halliburton overcharges for everything from towels to gas, when Parsons' sub, sub, sub-contractor builds a police academy where the pipes drip raw sewage on the heads of army cadets and where Blackwater investigates itself and finds it acted honorably. That's just corporations doing what they do and Iraq is a privatized war zone so that's what you get. Build a frontier, you get cowboys and robber barons.”
― Naomi Klein

“protected businesses never, never become competitive ... Halliburton, Bechtel, Parsons, KPMG, RTI, Blackwater and all other U.S. corporations that were in Iraq to take advantage of the reconstruction were part of a vast protectionist racket whereby the U.S. government had created their markets with war, barred their competitors from even entering the race, then paid them to do the work, while guaranteeing them a profit to boot - all at taxpayer expense.”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism

“It (the Chinese move to embrace capitalism in 1989) is a mirror of the corporatist state first pioneered in Chile under Pinochet: a revolving door between corporate and political elites who combine their power to eliminate workers as an organized political force. The creation of today's market society was not the result of a sequence of spontaneous events but rather of state interference and violence.”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism

“By the time the think-tank lifers arrived in Baghdad, the crucial roles in the reconstruction had already been outsourced to Halliburton and KPMG. THeir job as the public servants was simply to administer the petty cash, which in Iraq took the form of handling shrink-wrapped bricks of hundred-dollar bills to contractors. It was a graphic glimpse into the acceptable role of government in a corporatist state - to act as a conveyor belt for getting public money into private hands, a job for which ideological commitment is far more relevant than elaborate field experience.”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism

“A term like capitalism is incredibly slippery, because there's such a range of different kinds of market economies. Essentially, what we've been debating over—certainly since the Great Depression—is what percentage of a society should be left in the hands of a deregulated market system. And absolutely there are people that are at the far other end of the spectrum that want to communalize all property and abolish private property, but in general the debate is not between capitalism and not capitalism, it's between what parts of the economy are not suitable to being decided by the profit motive. And I guess that comes from being Canadian, in a way, because we have more parts of our society that we've made a social contract to say, 'That's not a good place to have the profit motive govern.' Whereas in the United States, that idea is kind of absent from the discussion. So even something like firefighting—it seems hard for people make an argument that maybe the profit motive isn't something we want in the firefighting sector, because you don't want a market for fire. ”
― Naomi Klein

“Once you accept that profit and greed as practiced on a mass scale create the greatest possible benefits for any society, pretty much any act of personal enrichment can be justified as a contribution to the great creative cauldron of capitalism, generating wealth and spurring economic growth – even if it’s only for yourself and your colleagues.”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism

“For the Bush administration, it was a natural evolution: after claiming it had a right to cause unlimited pre-emptive destruction, it then pioneered pre-emptive reconstruction – rebuilding places that have not yet been destroyed.”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism

Faust - 1926 Silent Film by F. W. Murnau

Final sequence of Faust, the 1926 silent film directed by F. W. Murnau, featuring the Philharmonia Orchestra conducted by Benjamin Wallfisch performing a new soundtrack score by Aphrodite Raickopoulou. This film was shown with live orchestra at Royal Festival Hall, Southbank Centre SE1, London,
Monday 27th February 2012.



Also see:
http://youtu.be/3Sia0SCHsrI

More at:
http://en.wikipedia.org/wiki/Faust_(1926_film)

Haiku by Basho - Translated by Robert Hass

Matsuo Basho composing a Haiku

Robert Hass

A ball of snow

you make the fire
and I’ll show you something wonderful:
a big ball of snow! 

A bee

A bee
staggers out
of the peony.

The old pond

The old pond--

a frog jumps in,

sound of water.

A caterpillar

A caterpillar,
this deep in fall--
still not a butterfly.

A cool fall night

A cool fall night--
getting dinner, we peeled
eggplants, cucumbers.

A field of cotton

A field of cotton--
as if the moon
had flowered.

A monk sips morning tea

A monk sips morning tea,
it's quiet,
the chrysanthemum's flowering.

A snowy morning

A snowy morning--
by myself,
chewing on dried salmon.

Awake at night

Awake at night--
the sound of the water jar
cracking in the cold.

Blowing stones

Blowing stones
along the road on Mount Asama,
the autumn wind.

Cold night: the wild duck

Cold night: the wild duck,
sick, falls from the sky
and sleeps awhile.

First snow

First snow
falling
on the half-finished bridge.

Coolness of the melons

Coolness of the melons

flecked with mud

in the morning dew.

How Admirable

How admirable!

to see lightning and not think

life is fleeting.

Midfield

Midfield

attached to nothing,

the sky lark singing.

Taking a nap

Taking a nap

feet planted

against a cool wall.

The dragonfly

The dragonfly

can’t quite land

on that blade of grass.

The oak tree

The oak tree

not interested

in cherry blossoms.

What fish feel

What fish feel,

birds feel, I don’t know—

the year ending.

When the winter chrysanthemums go

When the winter chrysanthemums go

there’s nothing to write about

but radishes.

Winter solitude

Winter solitude—

in a world of one color

the sound of wind.

First winter rain

First winter rain--
even the monkey
seems to want a raincoat.

Sick on a journey

Sick on a journey

my dreams wander

the withered fields.

More at:
http://en.wikipedia.org/wiki/Bash%C5%8D

Selected Poems of Rabindranath Tagore

Rabindranath Tagore

Little Flute
Thou hast made me endless, such is thy pleasure. This frail
vessel thou emptiest again and again, and fillest it ever with fresh life.

This little flute of a reed thou hast carried over hills and dales,
and hast breathed through it melodies eternally new.

At the immortal touch of thy hands my little heart loses its limits in
joy and gives birth to utterance ineffable.

Thy infinite gifts come to me only on these very small hands of mine.
Ages pass, and still thou pourest, and still there is room to fill.


Closed Path
I thought that my voyage had come to its end
at the last limit of my power,---that the path before me was closed,
that provisions were exhausted
and the time come to take shelter in a silent obscurity.

But I find that thy will knows no end in me.
And when old words die out on the tongue,
new melodies break forth from the heart;
and where the old tracks are lost,
new country is revealed with its wonders.


Clouds and Waves
Mother, the folk who live up in the clouds call out to me-
"We play from the time we wake till the day ends.
We play with the golden dawn, we play with the silver moon."
I ask, "But how am I to get up to you ?"
They answer, "Come to the edge of the earth, lift up your
hands to the sky, and you will be taken up into the clouds."
"My mother is waiting for me at home, "I say, "How can I leave
her and come?"
Then they smile and float away.
But I know a nicer game than that, mother.
I shall be the cloud and you the moon.
I shall cover you with both my hands, and our house-top will
be the blue sky.
The folk who live in the waves call out to me-
"We sing from morning till night; on and on we travel and know
not where we pass."
I ask, "But how am I to join you?"
They tell me, "Come to the edge of the shore and stand with
your eyes tight shut, and you will be carried out upon the waves."
I say, "My mother always wants me at home in the everything-
how can I leave her and go?"
They smile, dance and pass by.
But I know a better game than that.
I will be the waves and you will be a strange shore.
I shall roll on and on and on, and break upon your lap with
laughter.
And no one in the world will know where we both are.


Keep Me Fully Glad
II
Keep me fully glad with nothing. Only take my hand in your hand.
In the gloom of the deepening night take up my heart and play with it as you list. Bind me close to you with nothing.
I will spread myself out at your feet and lie still. Under this clouded sky I will meet silence with silence. I will become one with the night clasping the earth in my breast.
Make my life glad with nothing.
The rains sweep the sky from end to end. Jasmines in the wet untamable wind revel in their own perfume. The cloud-hidden stars thrill in secret. Let me fill to the full my heart with nothing but my own depth of joy.



Free Love
By all means they try to hold me secure who love me in this world.
But it is otherwise with thy love which is greater than theirs,
and thou keepest me free.

Lest I forget them they never venture to leave me alone.
But day passes by after day and thou art not seen.

If I call not thee in my prayers, if I keep not thee in my heart,
thy love for me still waits for my love.



Lost Time
On many an idle day have I grieved over lost time.
But it is never lost, my lord.
Thou hast taken every moment of my life in thine own hands.

Hidden in the heart of things thou art nourishing seeds into sprouts,
buds into blossoms, and ripening flowers into fruitfulness.

I was tired and sleeping on my idle bed
and imagined all work had ceased.
In the morning I woke up
and found my garden full with wonders of flowers.


Lotus
On the day when the lotus bloomed, alas, my mind was straying,
and I knew it not. My basket was empty and the flower remained unheeded.

Only now and again a sadness fell upon me, and I started up from my
dream and felt a sweet trace of a strange fragrance in the south wind.

That vague sweetness made my heart ache with longing and it seemed to
me that is was the eager breath of the summer seeking for its completion.

I knew not then that it was so near, that it was mine, and that this
perfect sweetness had blossomed in the depth of my own heart.


Lover's Gifts IV: She Is Near to My Heart
She is near to my heart as the meadow-flower to the earth; she is
sweet to me as sleep is to tired limbs. My love for her is my life
flowing in its fullness, like a river in autumn flood, running with
serene abandonment. My songs are one with my love, like the murmur
of a stream, that sings with all its waves and current.


Lover's Gifts VIII: There Is Room for You
There is room for you. You are alone with your few sheaves of rice.
My boat is crowded, it is heavily laden, but how can I turn you
away? Your young body is slim and swaying; there is a twinkling
smile in the edge of your eyes, and your robe is coloured like the
rain cloud.
The travellers will land for different roads and homes. You
will sit for a while on the prow of my boat, and at the journey's
end none will keep you back.
Where do you go, and to what home, to garner your sheaves? I
will not question you, but when I fold my sails and moor my boat
I shall sit and wonder in the evening, -Where do you go, and to
what home, to garner your sheaves?


Lover's Gifts XL: A Message Came
A message came from my youth of vanished days, saying, " I wait for
you among the quivering of unborn May, where smiles ripen for tears
and hours ache with songs unsung."
It says, "Come to me across the worn-out track of age, through
the gates of death. For dreams fade, hopes fail, the fathered
fruits of the year decay, but I am the eternal truth, and you shall
meet me again and again in your voyage of life from shore to
shore."


Lover's Gifts XLIV: Where Is Heaven
Where is heaven? you ask me, my child,-the sages tell us it is
beyond the limits of birth and death, unswayed by the rhythm of day
and night; it is not of the earth.
But your poet knows that its eternal hunger is for time and
space, and it strives evermore to be born in the fruitful dust.
Heaven is fulfilled in your sweet body, my child, in your
palpitating heart.
The sea is beating its drums in joy, the flowers are a-tiptoe
to kiss you. For heaven is born in you, in the arms of the mother-
dust.

Lover's Gifts XXVIII: I Dreamt
I dreamt that she sat by my head, tenderly ruffling my hair with
her fingers, playing the melody of her touch. I looked at her face
and struggled with my tears, till the agony of unspoken words burst
my sleep like a bubble.
I sat up and saw the glow of the Milky Way above my window,
like a world of silence on fire, and I wondered if at this moment
she had a dream that rhymed with mine.

My Song
This song of mine will wind its music around you,
my child, like the fond arms of love.

The song of mine will touch your forehead
like a kiss of blessing.

When you are alone it will sit by your side and
whisper in your ear, when you are in the crowd
it will fence you about with aloofness.

My song will be like a pair of wings to your dreams,
it will transport your heart to the verge of the unknown.

It will be like the faithful star overhead
when dark night is over your road.

My song will sit in the pupils of your eyes,
and will carry your sight into the heart of things.

And when my voice is silenced in death,
my song will speak in your living heart.