Friday, July 12, 2013

The Seashell and the Clergyman and Fever: Two French Silent Films

La Coquille et le clergyman (The Seashell and the Clergyman) (1928)  by Germaine Dulac.  With Music composed and orchestrated by Giovanni Palumbo.

Germaine Dulac
"It isn't enough to simply capture reality in order to express it in its totality; something else is necessary in order to respect it entirely, to surround it in its atmosphere, and to make its moral meaning perceptible…" Germaine Dulac

Fievre (Fever) (1921)  by Louis Delluc
Louis Delluc

La Coquille et le clergyman (Part 1)


La Coquille et le clergyman (Part 2)


La Coquille et le clergyman (Part 3)



Fievre (Fever) (1921)  by Louis Delluc
* Note that the intertitles for this film have been lost


More at:
http://en.wikipedia.org/wiki/Louis_Delluc
http://en.wikipedia.org/wiki/Germaine_Dulac
http://integrallife.com/integral-post/toward-integral-cinema

Saturday, June 22, 2013

Saturday, June 1, 2013

Cezanne's Bathers


Cézanne painted bathers from the 1870s onwards, including numerous compositions of male and female bathers, singly or in groups. Late in life, he painted three large-scale female bather groups. In addition to the National Gallery's painting, they are now in the Barnes Foundation, Merion, PA, and the Philadelphia Museum of Art. He seems to have been at work on all three simultaneously at the time of his death.

In such works, Cézanne was reinterpreting a long tradition of paintings with nude figures in the landscape by artists such as Titian and Poussin. While the subjects of their works were taken from classical myths, Cézanne did not use direct literary sources. Instead, his central theme was the harmony of the figures with the landscape expressed through solid forms, strict architectonic structure, and the earth tones of the bodies.
~ Description from the London National Gallery website

Paul Cezanne


The Bathers (Les Grandes Baigneuses), 1900 - National Gallery, London

Study for Bathers


The Bathers (Les Grandes Baigneuses), 1906 - Philadelphia Museum of Art

Detail: The Bathers (Les Grandes Baigneuses)


Bathers, 1875 - Metropolitan Museum of Art, New York City


Four Bathers, 1878


Three Bathers, 1875-77 Musée d'Orsay, Paris, France


Four Bathers, 1890


Five Bathers, 1887


Bathers at Rest, 1904


Bathers at Rest, 1887



Bathers and Fisherman with a Line, 1872


Bather, 1887


Bathers, 1905
Also see:

Four Paintings by Harald Slott-Møller

Selected paintings by the Danish painter Harald Slott-Møller



Danish Landscape


Primavera, Young Girl


Girls in a Green Rowing Boat on a Summer Day


Primavera


More at:

Sunday, May 12, 2013

Three Experimental Films

The Red Book by Janie Geiser
*Scene *

Flash 10.2 or above Required

To view films, please download Flash.
If you have an iPad or iPhone Download Fandor from the App Store.


9 Variations on a Dance Theme by Hilary Harris


Tuning the Sleeping Machine by David Sherman

Saturday, April 27, 2013

The Art of Karin Mamma Andersson and Jockum Nordström

Mamma Andersson (born 1962) is a contemporary artist based in Stockholm. She is married to Swedish contemporary artist Jockum Nordström.

Jockum Nordström (born 1963) is a Swedish artist, best known for his vivid collages, but also for his drawings, paintings and work as an illustrator.












Saturday, April 6, 2013

Naomi Klein - Selected Quotes

Naomi Klein

“The American Society of Civil Engineers said in 2007 that the U.S. had fallen so far behind in maintaining its public infrastructure -- roads, bridges, schools, dams -- that it would take more than a trillion and half dollars over five years to bring it back up to standard. Instead, these types of expenditures are being cut back. At the same time, public infrastructure around the world is facing unprecedented stress, with hurricanes, cyclones, floods and forest fires all increasing in frequency and intensity. It's easy to imagine a future in which growing numbers of cities have their frail and long-neglected infrastructures knocked out by disasters and then are left to rot, their core services never repaired or rehabilitated. The well-off, meanwhile, will withdraw into gated communities, their needs met by privatized providers. ”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism

“Democracy is not just the right to vote, it is the right to live in dignity.”
― Naomi Klein

“People without memory are putty.”
― Naomi Klein

“Either greed belongs in a war zone, or it doesn't. You can't unleash it in the name of sparking an economic boom and then be shocked when Halliburton overcharges for everything from towels to gas, when Parsons' sub, sub, sub-contractor builds a police academy where the pipes drip raw sewage on the heads of army cadets and where Blackwater investigates itself and finds it acted honorably. That's just corporations doing what they do and Iraq is a privatized war zone so that's what you get. Build a frontier, you get cowboys and robber barons.”
― Naomi Klein

“protected businesses never, never become competitive ... Halliburton, Bechtel, Parsons, KPMG, RTI, Blackwater and all other U.S. corporations that were in Iraq to take advantage of the reconstruction were part of a vast protectionist racket whereby the U.S. government had created their markets with war, barred their competitors from even entering the race, then paid them to do the work, while guaranteeing them a profit to boot - all at taxpayer expense.”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism

“It (the Chinese move to embrace capitalism in 1989) is a mirror of the corporatist state first pioneered in Chile under Pinochet: a revolving door between corporate and political elites who combine their power to eliminate workers as an organized political force. The creation of today's market society was not the result of a sequence of spontaneous events but rather of state interference and violence.”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism

“By the time the think-tank lifers arrived in Baghdad, the crucial roles in the reconstruction had already been outsourced to Halliburton and KPMG. THeir job as the public servants was simply to administer the petty cash, which in Iraq took the form of handling shrink-wrapped bricks of hundred-dollar bills to contractors. It was a graphic glimpse into the acceptable role of government in a corporatist state - to act as a conveyor belt for getting public money into private hands, a job for which ideological commitment is far more relevant than elaborate field experience.”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism

“A term like capitalism is incredibly slippery, because there's such a range of different kinds of market economies. Essentially, what we've been debating over—certainly since the Great Depression—is what percentage of a society should be left in the hands of a deregulated market system. And absolutely there are people that are at the far other end of the spectrum that want to communalize all property and abolish private property, but in general the debate is not between capitalism and not capitalism, it's between what parts of the economy are not suitable to being decided by the profit motive. And I guess that comes from being Canadian, in a way, because we have more parts of our society that we've made a social contract to say, 'That's not a good place to have the profit motive govern.' Whereas in the United States, that idea is kind of absent from the discussion. So even something like firefighting—it seems hard for people make an argument that maybe the profit motive isn't something we want in the firefighting sector, because you don't want a market for fire. ”
― Naomi Klein

“Once you accept that profit and greed as practiced on a mass scale create the greatest possible benefits for any society, pretty much any act of personal enrichment can be justified as a contribution to the great creative cauldron of capitalism, generating wealth and spurring economic growth – even if it’s only for yourself and your colleagues.”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism

“For the Bush administration, it was a natural evolution: after claiming it had a right to cause unlimited pre-emptive destruction, it then pioneered pre-emptive reconstruction – rebuilding places that have not yet been destroyed.”
― Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism